On the Hill of Mountford with Puneet

“I recommend to all serious collectors – you must have some of the ‘The Gradient’ and ‘The Rise’ in your cellar” 


Mountford Estate is an icon. Lisa-Perotti Brown of acclaimed Global wine reviewer erobertparker.com believes Mountford Estate to be one of the three greatest New Zealand wineries currently. As I clambered up the hill (I do this every time I visit the Estate), and saw the perfectly dense and tightly formed clusters of Pinot Noir – I knew – ‘these wines are just getting better and better’.


The vineyard is well-established now at 25 years old, although owner Kathryn Ryan states “We’re still just a pup”.
 In the last two years, Mountford Estate have also decided to switch off the irrigation and let Mother Nature’s rainfall feed the vines. Yes the vines are working harder for their sustenance and vigour, but having tasted the barrel samples for last year, the refined tannins and myriad of flavours are simply compelling and beguiling – just as they should be in Pinot Noir of Grand Cru Standards – and the Gradient and Rise are truly Grand Cru.


Kathryn has put her heart and soul into this Estate, and its’ continued and ever increasing quality are a testament to her endeavour. Kathryn won’t like me saying so, but she has referred to herself as ‘Mrs Mountford’ – and she really has been – from pruning to batonage to making sumptuous dinners during vintage for all staff – Kathryn has been fully immmersed in the business for over a decade.


Both Kathryn and Mountford Estate’s values come from the land. ‘Respect the land and the land will give’.  The Hill and surrounding Estate of Mountford are truly giving in spectacular fashion.


 I recommend to all serious collectors – you must have some of the ‘The Gradient’ and ‘The Rise’ in your cellar – if you are lucky enough to get your hands on some!




 Mountford Parker Reviews

Brandon’s Corner – Judging at the Royal Easter Show Wine Awards

A couple of weekends ago, I participated in the Royal Easter Wine Show judging event, where myself and a further 20 or so judges assessed the nearly 1,200 different wines entered.  This annual event is organized brilliantly by the Wine Show Queen Shona White and headed by Kate Radburnd and Mike de Garis.


The judging begins on a Friday afternoon and ends late Sunday afternoon with the final trophy assessments, typically these wine shows are divided into 4-5 panels, with 5 judges per panel.  By the end of the 3 days, each judge would have tasted at least 300 wines or around 100 wines per day, split into individual classes based on variety, or class description such as Rosé or Other Red Varieties for example.


I am often approached with the same question by friends and peers during these wine shows – “how are your teeth”?  Usually this question comes after a picture has been posted on the Sauvignon blanc or Riesling flights with reference to the acidic nature of these varieties.  I must admit I don’t really find any palate fatigue sets in for me until the tannic reds section kicks into gear, particularly big flights of young Syrah or Cabernet sauvignon.  I keep a steward close on hand, the one with the key to the fresh green olives jar and ensure the sparkling water glasses are topped up during these classes.  This keeps the palate rolling for me and combats the dryness and inevitably has a way of protecting the gums and teeth at the same time.  Another tool of the trade is Tooth Mousse, yes you read that correctly, its a créme for the teeth and gums made up of Calcium and Phosphate that we judges apply in between wine flights and it works wonders.  Recaldent is a good brand.  I keep a little tube handy in my office as I taste wine most days.  Which reminds me of a time a few months ago, following a tasting in the office, I reached for the Recaldent while reading an email and not paying enough attention, I squeezed into my mouth the sunscreen tube kept in the same place, which the palate did not appreciate!  Immediate palate fatigue!  Spit out of mouth now!  The Recaldent and Sunscreeen are kept in separate locations these days.  Bring on the next tasting.

Puneet’s Diary – Folium Vineyard Visit

The night before, Takaki had stolen the show at the Gala dinner for the 2016 International Sauvignon Blanc Conference. Takaki wore a ceremonial Kimono, complete with deep sleeves to hide all manner of items – including a razor edged fan.

The Gala was in an open air tent in Blenheim, Marlborough – If ever there was an ‘East meets West’ Moment this was it, and with me – Takaki’s not so humble Indian servant in tow (albeit in my Grey Crane Brothers suit with super sharp white pocket square).

Takaki pours a glass of Champagne Billecart-Salmon for Master Sommelier Cameron Douglas

Takaki pours a glass of Champagne Billecart-Salmon for Master Sommelier Cameron Douglas

The World of Wearable Arts performed that evening for our pleasure, and even they had to comment on Takaki’s look. Matt Cramer from Wine Spectator was conversing to an English Journalist…”He is so humble and his wines…oh so delicious”…and so it went on as the ‘great and the good’ of the global wine industry discovered Folium Vineyard and all of its glorious 6 Organic Hectares that evening.

Takaki had opened an unlabeled bottle – He mentioned it was the 2011 Reserve Pinot Noir – It had been his favourite selection, and so he had held it back and left it to age in barrel for a further 8 months before bottling. It sent the table spinning in delirium as to its incredible elegance and sheer restraint, with Takaki’s trademark flint and soft acidity shining through.

…And so the next day we strolled through the vineyard. I had gone for a jog through the kilometres of vines that morning in the Brancott Valley, in the middle of which is nestled Takaki’s house and vineyard. Takaki’s inter-rows were hard running, large amounts of cover crops assisting with the Vineyard biodiversity, making the ground uneven – I had to take high steps. As I crossed the invisible borders into the Vines of Cloudy Bay and Brancott Estate I found myself shaded in my run by much higher vines and beautiful ½ inch manicured grass on the interows. In fact since Marcel Giesen’s talk at Lunch a day earlier I had been meaning to ask Takaki just one question.

Brandon, Puneet and Takkaki amongst the vines in Folium's Brancott valley vineyard

Brandon, Puneet and Takkaki amongst the vines in Folium’s Brancott valley vineyard

…and as Takaki and I ambled through his vineyard I came out with it… “Takaki – You talk a lot about Dry Farming – but why exactly – It it a taste thing, or a conservation thing or what??”

Takaki is a passionate man – he speaks softly and with purpose (strangely like his wines) – He embarked on his explanation….

“Many vineyard in this area use irrigation – The irrigation is automated and water is farmed through the system without any thought of the vine needs for that water. This is one reason for producing very homogenous and similar wines. Their Vine Canopies are very large, The grape yield very high and the taste ignores vintage variation…and finally the use of the scarce water is not from a conservationist view completely in harmony with the best use of our environment. If you look at my vines – they are much smaller. I do have irrigation in case of extremely dry conditions, but on the whole my site does not need the added input of water. This site receives just the right amount of water for my vines to produce delicious grapes – with different flavours every year. However because of this I have to manage every single vine independently in the vineyard. I do not want any unripe berries, or overripe berries. Therefore when I crop thin or leaf pluck i use a different methodology and must go through every vine – one by one. What takes some others 3 Hours, take me 4 Days. In this way you get to know your site also. I learn from the Old World examples of how they have been farming for centuries – there is not necessarily any need to reinvent the wheel here in New Zealand with new farming practices when it comes to cultivating grapes for the purpose of wine”

“Takaki” I said, “ I have represented your wines for several years and you have not relayed this story to me”

Takaki smiled…”I know” he said, “ I want people to experience the end product and focus their attention there…also so many people tell their story and often their story is not the whole truth…and truth is very important to me….”

That morning in solitude in Takaki’s house, with golden sunshine all around, I tasted Takaki’s upcoming vintages – yet to be released. Afterwards we sat together a while and enjoyed what the day had brought to us. Here are my tasting notes.


2015 Folium Vineyard Estate Sauvignon Blanc 91 points, drink 2016 – 2021

Restrained Elegance – long and lingering finish. Lovely notes of flint.


2014 Folium Vineyard Estate Sauvignon Blanc 90 points drink 2016 – 2020

More Grassy, Methoxy characters – typical long finish – a creamier mid palate – very pleasant


2015 Folium Vineyard Reserve Sauvignon Blanc 91 points, drink 2016 – 2025

A rounder and more expressive style with rich body – the fullest of Takai’s Sauvignon Blancs that I have tried to date, yet trademark flint and stone fruit


2014 Folium Vineyard Reserve Sauvignon Blanc 94 points, drink 2016 – 2025

Strong initial flavour – very focused, spreads out across the palate – trumpet shape. A softness to the acidity – it is there giving trademark backbone – but so subtle – Incredible


2015 Folium Vineyard Estate Pinot Noir 89 points, drink 2016 – 2030

A more pungent nose than the 2014, wilder red fruit and some wild herbs, but of course length and elegance with Takaki’s ever present but soft acidity


2014 Folium Vineyard Estate Pinot Noir 90 points, drink 2016 – 2030

Beautifully supple tannins, focused, restrained, lovely toasted notes with red fruit on the note – delicious


2015 Folium Vineyard Reserve Pinot Noir 93 points, drink 2016 – 2030

Beautiful – Full Body combined with Elegance (How many times can I say ‘elegant’ when it comes to Takakis wines – I must find a new word!)


2014 Folium Vineyard Reserve Pinot Noir 91 points, drink 2016 – 2028

Brighter and cleaner than the 2015. The 2015’s have a fuller slightly wilder edge.





International Sauvignon Blanc Conference

I’ll remember The International Sauvignon Blanc Conference, held in Blenheim Marlborough last week, as an event where the ‘Big Producers’ walked harmoniously alongside the ‘Not so Big’ Producers. Brancott Estate took a lead role in the event organisation, and definitely a big swathe of Pernod Ricard Staff were in town. They facilitated a good event.

Brandon and I gladly attended the conference – assisting our own Takaki Okada of Folium Vineyard present and taste with many industry journalists, critics and producers.

I walked away from the conference with one very memorable quote from the charming Marcel Giesen …

“The wines in this conference have definitely shown a perceptible separability.”

He was absolutely right. On the last day of conference, I attended the ‘Wild Bunch – Alternative’ tasting…To my mind this was where the good stuff would be…. and it definitely was.

The Wild Yeast, Reductive styles spearheaded by the Dog Point Section 94, seemed to be in the ascendance – with three different vintages from Section 94. The 2008 shone in its texture and almost Burgundian nose of funky yeast autolysis. However, there were some equally ‘not so good’ examples in this style…it’s a fine line – play your hand and be confident I guess….and know what you are doing…There should be a sign. “Winemakers – Beware Wild Yeast – Maybe you should consider to go and listen to Jimi Hendrix instead and get your fix there!”

Then there was a contingent of more perfumed ripe aromatic styles. A notable example of this type was the Sauvignon Blanc from Hans Herzog – one of the most consistent sites and I believe it is stonier – perhaps this extra warmth has aided in this style.

Takaki Okada of our own Folium Vineyard entered his 2013 Reserve Sauvignon Blanc into this category, and I could help but be blown away at how the wine shone through in the company. Its balance and trademark elegant texture with a refined and broadening palate given a wine of length unmatched by any other.

See More about The International Sauvignon Blanc Conference Here.

2014 Flowers Sonoma Coast Chardonnay

The Sonoma Coast’s rugged, well-drained terrain and direct proximity to the cool Pacific Ocean allow us to grow and produce Chardonnay with fresh, bright fruit flavors, complex minerality and brilliant acidity. Our Sonoma Coast Chardonnay is sourced from some of the finest family owned vineyards within the extreme Sonoma Coast appellation including Flowers’ Camp Meeting Ridge Estate Vineyard. The grapes are harvested in the early morning hours to ensure the fruit arrives at the winery cool and ready for whole cluster pressing. On the crushpad, clusters are carefully hand-sorted before being gently pressed.

Tasting notes: Light straw hue. Expressive aromas of citrus zest and lime-blossom are highlighted by honeysuckle and wet flint. The palate is heightened by a compelling, site-specific coastal minerality, textural salinity, and precise acidity that carry brilliantly through the finish. A true expression of both the grape and its proximity to the Pacific Ocean.

Brandon Nash – Dhall & Nash – January 2016

92 Points

Straw colored, full, thick rim.  The bouquet begins quite mealy, leesy, nutty & fresh with pecan, cinnamon and nutmeg spice.  Ripe tropical fruit characters such as mango, peach and pineapple, highly concentrated and ripe fruited, dense across the palate with mouthwatering acidity finely integrated in the wine.  Soft, round and creamy palate structure with butterscotch & red apple skin flavours, finishing long and finely textured.  A generous Chardonnay from the Sonoma Coast, displaying full ripeness, richness and complexity, with spice and minerality on the finish.



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